Showing posts with label Aziraphale. Show all posts
Showing posts with label Aziraphale. Show all posts
Thursday, 26 March 2015
Wednesday, 25 March 2015
Monday, 2 March 2015
Adaptation & Professional Practice Part B - Casting Aziraphale and Crowley
Crowley
I looked through a wide variety of highly recognisable male actors to produce the spark I need to casting Crowley and placing his character. I wanted a charming smooth talking actor that can flip into becoming quite serious and if needed to be quite evil in nature. Here are the names for the actors from top left to bottom right
- Benedict Cumberbatch
- Zachary Quinto
- Keanu Reeves
- David Tennant
- Robert Downey Jnr
- Ian Sommerholder
- Johnny Depp
- Russell Crowe
Aziraphale
I wanted to direct the angel role to an actor who looks clean cut, formative and can be perceived as upper class from the way they speak. Aziraphale is also described to be an eccentric Librarian, a collector of items and because of this I have chosen specifically these characters. I feel that when I look at them they fit the role I personally wish to assign, also the characters they play in some films seems to fit the criteria for the role perfectly. I have chosen to look at;
- David Denham
- Harrison Ford
- Alex Pettyfer
- Martin Freeman
- Paul Bethany
- Jude Law
- Leonardio Di Caprio
- Joseph Gorden-Levitt
Thursday, 19 February 2015
Adaptation & Professional Practice Part B - Initial Designs
Aziraphale Designs
Crowley Designs
Still experimenting with the costume layouts for Aziraphale and Crowley here and I think the best idea was to use the trench coat ideas from number 3 of each initial ideas. Then experiment with some designs that could be inbedded into the costume? adding symbolism into their designs.
Still experimenting with the costume layouts for Aziraphale and Crowley here and I think the best idea was to use the trench coat ideas from number 3 of each initial ideas. Then experiment with some designs that could be inbedded into the costume? adding symbolism into their designs.
Tuesday, 17 February 2015
Adaptation & Professional Practice Part B - Crowley & Aziraphale Design Inspirations
I researched some possible attires for Crowley, I was most drawn to the largest costume on the screen because of the embodied designs into the trench-coat. For me it illustrates how old the design could be and intricate as if carefully planned. It could then help the viewers realise he is very stylish and intelligent. This paired with the addition of the glasses and yellow snake eyes could make for a sinister character design.
Also it would make sense for there to be some form of patterning into his clothing because he is first introduced as a snake to the audience, even down to the fact he hisses his tongue every now and then. I understand that the book explicitly says that he wears all out black attire, but I would like to break the colour into a crimson shade also, because then I could bring another colour into creating Aziraphale.
To fit Aziraphale into the same kind of environment as Crowley there needs to be similar or opposite design choices in his attire, I thought that the waist coat could have heavenly symbols on it and really sell him as a pure certified religious character, but toned down slightly. maybe small hints towards this. Ideally I would like to use light greys and brilliant whites for this character, maybe the scarf he wears could be a tartan green?
Also it would make sense for there to be some form of patterning into his clothing because he is first introduced as a snake to the audience, even down to the fact he hisses his tongue every now and then. I understand that the book explicitly says that he wears all out black attire, but I would like to break the colour into a crimson shade also, because then I could bring another colour into creating Aziraphale.
To fit Aziraphale into the same kind of environment as Crowley there needs to be similar or opposite design choices in his attire, I thought that the waist coat could have heavenly symbols on it and really sell him as a pure certified religious character, but toned down slightly. maybe small hints towards this. Ideally I would like to use light greys and brilliant whites for this character, maybe the scarf he wears could be a tartan green?
Monday, 16 February 2015
Adaptation & Professional Practice Part B - Aziraphale & Crowley Styles
BBC Radio 4 Part 1 Illustration
As part of the Radio 4 live adaptation of the best-selling novel 'Good Omens', They issued some illustrations to capture key moments from the novel to highlight the significance of each stage to the listeners. In this particular stage its the beginning of the story, so it tells us the origins of the character and the significance of the items they wield.
Dining at the Ritz
In there many encounters together, they tend to go to the more posh and expensive meets. The Ritz is one of these places. It seems fitting for two head honchos for good an evil meet up and sit on opposite ends of the table to discuss how things are.
Steampunk version
The steampunk version was different to vision, although it could have taken steps further down that path, with the only plausible links I could see were the animatrons in the pieces. Tackling the style away from realism may give me the originality I desire.
Discussing Business
When Crowley and Aziraphale meet it is always to discuss what each other had done to kind of measure egos. But in there meets they seem to be able to tease each other but always seem calm and collected instead of at each others throats, trying to assassinate each others plans. Its like they understand the need for balance.
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